based on the stage adapted Vaganova Method.
In classical trainings every ‚Pas’ receives a special value through the choice of music.

Through the articulation of an individual dancer's body the charakter and esprit of every movement can be reflected.

The main thought for me is one of the most important bricks in the development of body consciousness: the Placements and the musical/artistic expressiveness.

Staatliche Hochschule für Musik und Darstellende Kunst Mannheim

Room: HfMDK / Dance Studio 2

Correpetition: Tatjana Varvitsiotis